The Turkish Paradox
June 28, 2012 § Leave a Comment
Anyone who follows Turkey knows that there has been a perpetual debate during the past few years over whether Turkey is becoming more democratic or less democratic. The answer you get depends on whom you ask, and Turkey experts point to different factors to bolster their respective cases. To my thinking though there is no absolutely right or absolutely wrong answer to the question, because the truth is that Turkey is becoming both simultaneously; it just depends on where you look. Writing in Foreign Affairs, Steven Cook and I tried to capture this dynamic and explain the proper way of viewing what is going on in Turkey by harkening back to Robert Dahl’s definition of democracy that divides it into two elements, participation and contestation. Our article can be found here, and I have excerpted part of it below. I look forward to people’s feedback and comments.
The Turkish Paradox
How the AKP Simultaneously Embraces and Abuses Democracy
Michael J. Koplow and Steven A. Cook
MICHAEL KOPLOW is a Ph.D. candidate in Government at Georgetown University and has a blog called Ottomans and Zionists. STEVEN A. COOK is Hasib J. Sabbagh Senior Fellow for Middle East Studies at the Council on Foreign Relations.
Prime Minister Erdogan sitting in a fighter jet on June 27, 2012. (Umit Bektas / Courtesy Reuters)
The Halki seminary, founded in 1844 as a center of learning for the Orthodox Eastern Church, was for decades a symbol of religious toleration and minority rights in the Ottoman Empire and the Turkish Republic. But in 1971, Ankara closed the seminary when the constitutional court, dominated by adherents of Kemalism, the secular ideology of the founder of the Turkish Republic, Mustafa Kemal Ataturk, ruled that only the army was allowed to run nonstate-supervised private colleges. So in March, when Prime Minister Recep Tayyip Erdogan announced that the Halki seminary would be restored and reopened, it seemed that the Justice and Development Party (AKP), the country’s ruling faction since 2002, was furthering its reformist agenda of making Turkey a more open society by expanding personal, religious, and economic freedoms.
But while Ankara encourages openness with one hand, it clamps down on it with the other. In May, Erdogan announced that the government would end state subsidies for the arts, closing the spigot on $63 million in annual funding and, in effect, endangering the country’s more than 50 state theaters and artistic venues across the country. The AKP claimed that it did so in the name of private enterprise and was instituting a modern approach to government patronage of the arts; opponents argued that it was a deliberate attempt to silence artists, some of whom had become highly critical of AKP rule. Since the AKP era began, the world has watched closely to see if Turkey would embrace, or abuse, democracy. What is becoming clear is that Erdogan’s strategy is to do both, simultaneously.
The key to understanding democracy under the AKP lies with the meaning of democracy itself. The Yale political scientist Robert Dahl wrote that democracy is defined by the extent to which citizens can participate in civic life and whether they can contest the government’s power. Looking at each factor separately illustrates why Turkey is such a paradox.